Last week, I released a post on My Best Books of 2022; books that gave me much joy this year and would heartily recommend. As I reflected on my reading, I noticed that I had read quite a few short story collections in 2022, certainly more than in previous years. Two of them – Tess Slesinger’s Time: The Present and Tove Ditlevsen’s The Trouble with Happiness – made it to my year end list. But there were five collections that despite not making the cut were still great.
This post is to highlight those five short story collections, sort of my ‘honourable mentions’ if you will (You can click on the links for detailed reviews)…
WE ARE FOR THE DARK by Robert Aickman & Elizabeth Jane Howard
We Are for the Dark is a wonderful collection of ghost stories written by both Robert Aickman and his lover at that time, Elizabeth Jane Howard (of The Cazalet Chronicles fame). First published by Cape in the autumn of 1951, it is a collection of 6 stories, 3 stories written by each. However, at the time, the stories were not individually credited and were presented as a collaboration between the two authors.
The best among these is Elizabeth Jane Howard’s ‘Three Miles Up’ -a perfectly paced, chilling story set on a boating trip through the canals of England; one where an atmosphere of menace and doom unfurls like a blanket over its characters as they navigate an alien canal, until it opens out into an ending that is truly terrifying. Click on the title for a more detailed write-up.
A POSTCARD FOR ANNIE by Ida Jessen (tr. from Danish by Martin Aitken)
A Postcard for Annie is a quiet, exquisite collection of short stories of ordinary lives; the highs and lows of marriage and family life told in lucid, restrained prose suffused with great emotional depth.
The first piece titled “An Excursion” is a beautiful story of a marriage, of how it changes people, of the ties that bind couples despite their differences, while “December is a Cruel Month” is a heartbreaking story on grief, loss, the tender and often tense relationships between parents and their children. In an “An Argument”, a married woman, as the title suggests, argues with her husband on how the physical intimacy between them has deteriorated, while “In My Hometown”, the last story in the collection, is a short piece told in the first person about village secrets, the private lives that people lead and how we don’t know people as well as we think we do.
Each of the six tales is drenched with a quiet beauty, marked by the author’s penetrating gaze into her characters’ outer lives and their innermost feelings.
ART IN NATURE by Tove Jansson (tr. from Swedish by Thomas Teal)
Art in Nature by Tove Jansson is a beautiful, beguiling collection comprising 11 short stories of art, ambition, loneliness, unusual relationships and family.
How we perceive art is an individual experience and one of the cornerstones of the first and titular story of the collection, while one of my favourites “The Cartoonist” is a wonderful, unsettling piece on the price of ambition and the perils associated with the commercialization of art.
The “Flower Child” is a dreamlike, other-worldly tale of loneliness and alienation while nostalgia for home, fractured relationships between siblings and the struggle to blend in with the crowd forms the essence of the story “A Memory of the New World.” A “Sense of Time” is a disorienting tale of losing your bearings where the line between dreams and reality gets blurred, while in “Locomotives” a draughtsman’s obsession with drawing trains provides a sinister twist to a love story.
The stories told in a simple, lucid and arresting style are often dark and disquieting but also drenched with wisdom, beautifully capturing the creative process.
DANCE MOVE by Wendy Erskine
Dance Move is a wonderful collection of short stories set mostly in Belfast; eleven tales of ordinary lives written with warmth, compassion and Erskine’s keen insight into human nature.
Typically, when we talk about short story collections, there are always some stories which really stand out, while some others fade away from the memory quickly. What’s great about Dance Move though is that there’s something memorable about each of the stories, although I do have my favourites.
The first, “Mathematics”, is a superbly penned tale of abandonment, unlikely bonds, and how our past can define the way we live the present, where Roberta, a cleaning woman, comes across an abandoned child in a room she is cleaning. One of my favourite stories, “Cell”, is a dark, devastating tale of control, imprisonment and neglect in communal settings fuelled by shaky political activism; while “Golem” is another excellent tale of mismatched relationships, of alternate lives that could have been lived.
Erskine’s storytelling is sublime, very down-to-earth, and each story is written with such tenderness and compassion. With her sensitive portrayal of fraught lives, she understands the psyche of her characters and is able to convey multitudes in a short space in her distinct expressive style (“What happened next, remembered so many times, is burnished and glittering and perfumed”). In a nutshell, Dance Move is a great collection, one I would whole-heartedly recommend.
CURSED BUNNY by Bora Chung (tr. from Korean by Anton Hur)
Cursed Bunny is a terrific collection of ten stories that merge the genres of horror, science fiction, magical realism and dream logic to explore a wide variety of themes that are possibly a commentary on the ills of Korean society, but which could simply be applied to any society where patriarchy and greed rules the roost.
“The Embodiment” is a disturbing tale of prospective motherhood, single parenting and how the idea of a family unit is heavily defined by conventional mores, while the titular story “Cursed Bunny” is a story within a story, a wonderful tale on the evils of capitalism which bolster greed and unfair business practices. Another favourite of mine is the story called “Snare”, a chilling, frightening tale of the gruesome aftermath of avarice. While a later story “Scars” is a violent, disquieting tale of imprisonment, the illusory notion of freedom and the price one has to pay for it.
The stories in Cursed Bunny are surreal, visceral and quite unlike anything I’ve read before, but they come with a unique, interior logic that works.