A sister can be your best friend or your worst rival. Sisters may have grown up in the same household and yet they evolve into adults with different and distinct personalities. The bond between sisters can be either complex or straightforward but no one can deny its importance in one’s life. It’s certainly a rich source of material in books and literature and in this piece, I highlight ten excellent books that feature two or more sisters either as central characters or as part of an ensemble cast.
You can read the detailed reviews on each (barring one book) by clicking on the title links…
WE HAVE ALWAYS LIVED IN THE CASTLE by Shirley Jackson
Such a fabulous book – an unsettling tale about an ostracized family sprinkled with doses of dark humour and one of the strangest and unforgettable narrators ever – the eighteen-year-old Merricat Blackwood. Jackson is great at creating an atmosphere that is seeped in gothic elements – the creeping sense of dread as we read about the fate of the Blackwood sisters in their large home – even if there are no actual ghosts present.
INVITATION TO THE WALTZ by Rosamond Lehmann
Invitation to the Waltz is the first of the Olivia Curtis novels. When the book opens, Olivia has turned seventeen and there is a family gathering to celebrate and present her with gifts. The novel charts the emotions of a young girl on the cusp of womanhood – the anxiety as well as the excitement of making a good impression at the dance, hopes for a schedule full of dance partners alternating with the fear of being left alone.
The novel is divided into three sections – the first two portray Olivia and her elder sister Kate’s anticipation and preparations for the dance, while the last section is entirely devoted to the ball. Lehmann’s prose is lush and beautiful and I was immediately struck by her impressionistic writing style.
SOME TAME GAZELLE by Barbara Pym
Barbara Pym’s world of the parish, curates, and garden parties is a real delight and there were dollops of this in Some Tame Gazelle. The book revolves around the memorable Bede sisters – Belinda and Harriet – who are spinsters. Harriet is outspoken of the two and is more interested in the young curates who come to work in the village, even though she continuously receives marriage proposals from an Italian count. Belinda, meanwhile, has been carrying a torch for the Archdeacon in the village who has been married to another woman for quite some time. But things get shaken up a bit with the arrival of Mr. Mold and Bishop Grote. Both these men disturb the peace of the village and leave the sisters wondering if they’ll ever return to the order of their daily routines.
Pym’s comic timing is superb and there are some wonderful conversations between the characters particularly between the two sisters. Each character is wonderfully etched and even within the narrower contours of village life, Pym has a flair for bringing out the subtle differences in human nature.
THREE SUMMERS by Margerita Liberaki (Translated from Greek by Karen Van Dyck)
Bursting with vibrant imagery of a sun-soaked Greece, Three Summers is a sensual tale that explores the lives and loves of three sisters who are close and yet apart given their different, distinctive personalities.
First published in 1946, the novel’s original Greek title when literally translated means The Straw Hats. Indeed, like the first brushstrokes in a painting, the first image presented to us is of the three sisters wearing their newly bought straw hats – Maria, the eldest, wears a hat adorned with cherries, Infanta has one with forget-me-nots perched on her head, while the youngest and also the book’s narrator – Katerina – has donned a hat with poppies “as red as fire.”
Gradually as the novel unfurls, the varied personas of the three sisters are revealed to us – the sexually bold Maria, the beautiful and distant Infanta, the imaginative and rebellious Katerina, also the narrator of the story.
Three Summers, then, is a lush, vivid coming-of-age story that coasts along at a slow, languid pace…it drenches the reader with a feeling of warmth and nostalgia despite moments of piercing darkness. With its rich evocation of summer and luscious descriptions of nature, the narration, in keeping with Katerina’s personality and penchant for telling stories, has a dreamy, filmic, fairytale-like vibe to it.
NOTES FROM CHILDHOOD by Norah Lange (Translated from Spanish by Charlotte Whittle)
Notes from Childhood is a unique, inventive memoir filled with evocative vignettes that capture the innocence and essence of childhood; the fears, anxieties, love, and simple moments of happiness that children experience. These snapshots of family life and domesticity are filtered through our narrator’s (Norah herself) childhood memories.
She dwells on her sisters and their personalities – the brooding and intense Marta, whose peeled hands “looked like the pages of a well-loved book whose edges curl backward.” There’s Georgina with her immaculate, poised figure, always ready to help with anything and the apple of their mother’s eye. Then there’s Susana, younger but closer to Norah in age so they bond better coupled with the fact that both have flaming red hair.
It’s a gorgeous book exploring the realm of childhood, the light and darkness within it; intimate portraits that sizzle with strangeness, wonder, beauty, and sadness.
A SUNDAY IN VILLE-D’AVRAY by Dominique Barbéris (Translated from French by John Cullen)
This is a dreamy, disquieting novella of missed opportunities, a particular yearning for that ‘something else’, set over the course of a languid autumn afternoon when the light is quickly fading.
The book begins when our narrator Jane, one Sunday, decides to visit her sister Claire Marie, who resides in Ville-d’Avray in the western suburbs of Paris. Comfortably settled in her well-appointed home with her husband Christian and her daughter Melanie, Claire Marie many a time assists Christian in his medical practice by stepping into the shoes of a receptionist. Jane, on the other hand, is settled in the centre of Paris with her partner Luc – both prefer the hustle and bustle of city life, its culture and entertainment to the quiet existence in the outskirts.
On that particular autumn afternoon, as the sisters finally sit down for a chat, Claire Marie makes a dramatic revelation of a chance encounter in her life several years ago, a confession that startles Jane considerably. Does Claire Marie have it in her to disrupt her carefully constructed idyll at home for the sake of an out-of-the-box experience that marks a break from her everyday routine?
The themes touched upon in this wonderfully evocative novella are the consequences of a path not taken, the weight of unfulfilled desires, and the wish for a unique experience. It’s a novella that throbs with dreamlike vibes, fraught melancholia and wistful longing and is perfect for any quiet, cosy afternoon with a hot mug of tea.
THE GREENGAGE SUMMER by Rumer Godden
The Greengage Summer is a gorgeous coming-of-age tale of love, deceit, and new experiences, a beguiling mix of light and darkness set in the luxurious champagne region of France.
Our narrator is the charming Cecil Grey, aged thirteen and at the cusp of womanhood. Cecil has an elder sister, the beautiful Joss aged sixteen, while the younger siblings are Hester and the Littles (Will and Vicky). Fed up with their continuous grumbling, the mother whisks them off to France to see the battlefields hoping that some kind of exposure and knowledge about other people’s sacrifices will open their eyes to how self-absorbed they are. But all their best-laid plans go awry when the mother falls ill. Thus, once at the hotel, the children are largely left to their own devices and latch on to the mysterious Elliott who takes them under his wing much to the chagrin of his lover and the owner of the hotel, Mademoiselle Zizi. This is a beautiful book with evocative descriptions of a languid French summer. Despite the joys of new experiences, there are darker currents with hints of violence, death, and sinister happenings.
SOMEBODY LOVES YOU by Mona Arshi
Mona Arshi’s Somebody Loves You is a beautifully written, poetic, coming-of-age novel on family, mental illness, immigrant life, and the trials of growing up. Comprising a series of vignettes (the kind of storytelling I’ve come to love), this novel is mostly from Ruby’s point of view who from an early age decides to become silent on her own terms, refusing to speak.
Ruby is the youngest member of her family which comprises her parents and her older, more voluble and fiery sister Rania. Her father is an “untidily put together man with a mild temperament.” Her mother is prone to bouts of depression which entails days and months of absence from home until one day she never comes back.
These myriad snapshots coalesce to paint a picture of a family struggling to come to terms with their inner demons and the demands of the world outside. While the tone is often melancholic, the sheer beauty of the writing and a unique way of looking at the world makes Somebody Loves You an astonishing read.
WILL AND TESTAMENT by Vigdis Hjorth (Translated from Norwegian by Charlotte Barslund)
Vigdis Hjorth’s Will and Testament is a powerful, gripping, masterfully constructed novel about family feuds, abuse, trauma, and a woman’s fight to be believed and her story acknowledged, where Hjorth cleverly uses the set-up of an inheritance dispute to examine the deeper fissures that run in a dysfunctional family.
The novel opens with the news that Bergjlot’s dad died five months ago, a development that only exacerbates the ongoing property dispute between the four children and the mother. Bergjlot initially chooses to stay out of this clash and the modern reader will immediately discern the reason for this – she was abused by her father as a child and the scars from that incident made it easier for Bergjlot to completely sever ties with her family for more than 20 years to maintain her sanity. And yet she remains tormented by her mother’s digs and insults about her behaviour and her sisters’ refusal to accept her version of the past.
At its core, Will and Testament is about a victim of abuse fighting back to be heard, about the legacy of abuse that can run down generations, and how it can irreparably damage relationships. The prose has a feverish quality that is compelling, the characters are brilliantly drawn and overall this is really a superb novel.
AN I-NOVEL by Minae Mizumura (Translated from Japanese by Juliet Winters Carpenter)
An I-Novel is a gorgeous, lyrical meditation on language, race, identity, family, and the desire and deep yearning to go back to your roots, to your own country. The novel is a semi-autobiographical work that takes place over a single day in the 1980s. Our narrator is Minae, a young woman studying French literature at a prestigious university on the East Coast, close to Manhattan. When the novel opens, it is deep midwinter, and Minae is alone, struggling to grapple with apathy and loneliness as a deepening pall of gloom pervades her apartment. The intensity of stasis afflicting Minae is rooted in her unwillingness to take any decisive action regarding her future. After having lived for two decades in the United States, Minae has an aching desire to relocate to Japan, her home country.
But Minae is plagued with guilt and foreboding – If she goes back to Japan, her elder sister Nanae will be compelled to fend for herself, all alone in America. Moreover, with their family now torn apart (the father is in a care home, and the mother has left him for a younger man in Singapore), Minae and Nanae rely on each other for emotional support, having become quite close despite their varied personalities. An I-Novel throbs and pulses with big ideas presented in Minae Mizumura’s stylish, understated and elegant writing.
Finally, I’ll leave you with a quote about sisters from Christina Rossetti’s Goblin Market and Other Poems…
“For there is no friend like a sister
In calm or stormy weather;
To cheer one on the tedious way,
To fetch one if one goes astray,
To lift one if one totters down,
To strengthen whilst one stands”